I am here.
Even if you do not see me,
Cannot feel me,
I’ll show you glimpses of my existence.
Through dead material, I will appear to be alive.
A silent whisper—I am here,
An invitation—I am still here.
Alive enough to let you cope with reality.
Alive enough to let you disappear.
Stay with me as long as you wish.
Stay with me as long as you need,
Until you are ready to face reality once more.
This exhibition is closed. This is showing at EXboot now:
Jan 2
Jan 31
Inês Da Silva Aguiar
Where do I belong, and what truly shapes our sense of self? Inês Da Silva Aguiar explores the fragile and complex nature of identity in The House of Self, a work influenced by her ethnically mixed background and upbringing on a politically divided island. Through personal reflection and conversations with her family, she reveals the challenges of navigating languages and cultures, and captures the experience of living between different worlds.
Due to the unique and limited size of the cultural-historical site, EXboot is only accessible on foot and is not wheelchair accessible. There are no facilities for the hearing impaired (yet).
Always at EXboot
I cherish both my present and my past. Besides a space for high-profile art, one of my rooms also houses the Zandpad Museum. Here, I'll tell you about my illustrious past and introduce you to people who know me well—inside or out. Sit on my stool, gaze out the window, and listen to the many stories surrounding my life.
The Zandpad Museum is screening a short documentary about the history of the Zandpad. You'll also find numerous audio clips of conversations with various people involved, including a former sex worker and former mayor Aleid Wolfsen.
This Zandpad documentary was made by Sylvie Kamphuis & Jaap Pronk (director), Bram Engelaar (camera), Doenja Abel (production), Twan Bracco Gartner (music), and Bald Beeld (editing). Thanks to the interviewees: Aleid Wolfsen (former mayor of the Municipality of Utrecht), Brenda Oude Breuil (criminologist at Utrecht University), Jannie Teunissen (De Tussenvoorziening), the former sex worker, and the former client of Zandpad. The documentary was made possible in part by the Municipality of Utrecht, KF Heinfonds, Mondriaanfonds, and RTV Utrecht.