exhibitions|

Ik probeer je te heugen

A bald man with glasses and tattoos gestures from a stool, barefoot, to a woman behind the counter in a busy room.
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when
March 5, 2026 - March 29, 2026
where
EXboot

This research portrays the inner quest of Ken Stoové, who feels a deep longing to travel to Suriname, the country where his grandfather and father took their first breaths. Although he has never been there himself, Suriname lives vividly in his imagination, shaped by stories, written accounts, and dreams. For Ken, the country symbolizes ancestry, identity, and a possible homecoming, but also uncertainty. He wonders whether he will find warmth and belonging there, or whether he will instead feel like an outsider, standing at the edge of his own origins.

For Ken, the journey may take on multiple meanings: a personal search for self-understanding, an exploration of culture and history, or an experience that defies clear definition. His interests range from Javanese history and untouched nature to politics, silence, and the invisible forces that connect people. Together, these elements form a complex weave of past and longing, within which Ken Stoové seeks to find his own place.

Plan a visit

Current exhibition

This exhibition is closed. This is showing at EXboot now:

Blauw doorschijnend paneel met donkere kegel in zwart kubusframe, aan een witte muur bevestigd.
EXboot logo

Jul 2

Jul 26

Maybe I was too impatient, or the movement too subtle

Indira de Boer

Last January, Indira de Boer spent two weeks walking through the Himalayas. This physical journey formed an artistic research process focused on the relationship between human, material, and landscape. During this trek, the artist explored how meaning-making shifts when the human scale is decentered in relation to the overwhelming presence of non-human entities.De Boer is interested in situations where form and structure meet under constraint. Rather than working with natural objects as given forms, they construct conditions that test how materials behave. Meaning is not predetermined; instead, each work is approached as a situation in which material can actively participate in the production of meaning.

where

Nijverheidskade 15
3534AZ Utrecht

Due to the unique and limited size of the cultural-historical site, EXboot is only accessible on foot and is not wheelchair accessible. There are no facilities for the hearing impaired (yet).

Een groep jonge mannen kijkt door het raam van de EXboot naar binnen

Always at EXboot

The sand path museum

I cherish both my present and my past. Besides a space for high-profile art, one of my rooms also houses the Zandpad Museum. Here, I'll tell you about my illustrious past and introduce you to people who know me well—inside or out. Sit on my stool, gaze out the window, and listen to the many stories surrounding my life.

Short documentary 'The Sand Path'

The Zandpad Museum is screening a short documentary about the history of the Zandpad. You'll also find numerous audio clips of conversations with various people involved, including a former sex worker and former mayor Aleid Wolfsen.

This Zandpad documentary was made by Sylvie Kamphuis & Jaap Pronk (director), Bram Engelaar (camera), Doenja Abel (production), Twan Bracco Gartner (music), and Bald Beeld (editing). Thanks to the interviewees: Aleid Wolfsen (former mayor of the Municipality of Utrecht), Brenda Oude Breuil (criminologist at Utrecht University), Jannie Teunissen (De Tussenvoorziening), the former sex worker, and the former client of Zandpad. The documentary was made possible in part by the Municipality of Utrecht, KF Heinfonds, Mondriaanfonds, and RTV Utrecht.

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