

- when
- June 2, 2022 - July 3, 2022
- where
- EXboot
Sorry, this entry is only available in NL.



Sorry, this entry is only available in NL.

This exhibition is closed. This is showing at EXboot now:


Dec 4
Dec 24
Glenelys Josefina
In this installation, three generations meet in light, movement, and silence. The white masks represent not concealment but revelation: they show how identity is formed in personal, familial, and cultural layers.My grandmother, my mother, and I share a lineage deeply rooted in the Caribbean, in waters that carry Dominican, Curaçaoan, and Latin American stories. The sea in the film isn't a specific place, but a symbol of origin, memory, and the legacy of our ancestors.
Due to the unique and limited size of the cultural-historical site, EXboot is only accessible on foot and is not wheelchair accessible. There are no facilities for the hearing impaired (yet).

Always at EXboot
I cherish both my present and my past. Besides a space for high-profile art, one of my rooms also houses the Zandpad Museum. Here, I'll tell you about my illustrious past and introduce you to people who know me well—inside or out. Sit on my stool, gaze out the window, and listen to the many stories surrounding my life.
The Zandpad Museum is screening a short documentary about the history of the Zandpad. You'll also find numerous audio clips of conversations with various people involved, including a former sex worker and former mayor Aleid Wolfsen.
This Zandpad documentary was made by Sylvie Kamphuis & Jaap Pronk (director), Bram Engelaar (camera), Doenja Abel (production), Twan Bracco Gartner (music), and Bald Beeld (editing). Thanks to the interviewees: Aleid Wolfsen (former mayor of the Municipality of Utrecht), Brenda Oude Breuil (criminologist at Utrecht University), Jannie Teunissen (De Tussenvoorziening), the former sex worker, and the former client of Zandpad. The documentary was made possible in part by the Municipality of Utrecht, KF Heinfonds, Mondriaanfonds, and RTV Utrecht.