Hannah intertwines various narratives and archetypes, found in personal recollections of seasonal celebrations, Slavic beliefs, or childhood observations of her grandmother in the kitchen. These findings create a new belief system. By shaping these elements from her own environment and memory, rather than relying on institutional interpretations, she draws attention to what she is made out of. This act is accompanied by the search for parental companionship. Here she embraces the innocence of a childlike state of mind where she points out how elements, whether it is form or content, continuously relate to one another. 

This leaves the space with an attempt of creation where embodiments of innocence may be blissful.